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Harry Styles fans rejoice, the wait is finally over.

TV's infatuation with true crime can be traced to "Making a Murderer" and "The Jinx," but precious little rises to that level. HBO scales those heights and then some with "Mommy Dead and Dearest," a twisted and twisty documentary that's as unsettling as it is absorbing.

These days the latest major museum or gallery exhibition is as likely to be about a musician or a fashion house as an old master.

President Trump's White House can't get its story about the firing of FBI director James Comey straight. Trump offered a potential solution Friday: cancel all press briefings.

It's a no from Simon Cowell when it comes to the new "American Idol."

Leave it to Leonardo DiCaprio to remind us that social media can serve a porpoise.

An untitled prequel to the wildly popular Harry Potter books has been stolen in a robbery in the UK, authorities say.

Steve Harvey has set boundaries and is standing by them.

The host of CBS' "The Late Show" opened his show by firing back at President Trump, who said in an interview with Time magazine that Colbert is "a no-talent guy" and "there's nothing funny about what he says."

Sorry, "American Idol" reboot. Another alum is joining Team Voice.

Chrissy Metz took to Instagram to express gratitude to her fans and to address the backlash over a dress she wore to Sunday's MTV Movie & TV Awards.

If you thought the presidency of Frank Underwood on Netflix's "House of Cards" seemed over-the-top, stars Neve Campbell and Michael Kelly say think again.

Samantha Bee had some choice words for Ivanka Trump in a seven-minute long monologue in which the late night host railed against the first daughter's new book "Women Who Work: Rewriting the Rules For Success."

Amy Schumer's promising starring debut in "Trainwreck" hits the brakes in "Snatched," a rail-thin comedy most notable for the comic's Mother's Day-adjacent pairing with Goldie Hawn. Heavy on sight gags, the movie delivers some raunchy laughs, but they arrive so sporadically as to make for a bumpy ride.

Fidelity to the Camelot legend shouldn't be a prerequisite for "King Arthur: Legend of the Sword." Rudimentary logic, however, would be nice, in a numbing film seemingly determined to reshape the source into a poor man's "Lord of the Rings," proving that tinkering with such familiar origins can indeed be a double-edged sword.

Women have so often been portrayed as objects of desire in movies and literature that turning the tables still seems rather thrilling. That's the underlying conceit in Amazon's "I Love Dick," an adaptation of Chris Kraus's 20-year-old memoir that revels in its off-kilter tone, and derives most of its strength from its trio of central performances.